![]() ![]() You can spend a lot of time configuring the mics, editing, mixing, and so on, but none of that matters if you don’t get it right the first time. There is no such thing as a perfect spot in a room, so try to record in that area as much as possible.įar away from the microphone, you can hear a softer and less muddy sound. If you choose the right recording room, it will not take you long to finish your music. ![]() In order to determine the sound of the recording, two steps must be taken. We’ll use reverb and delay to blend all of the elements so that they look natural together. This is a critical step because it will have a direct impact on how your guitar is spread throughout the stereo field. The third step is to navigate the stereo field on the guitar. It is only appropriate to use EQ and Compression when necessary. When using an Equalizer, make sure it is working properly and that the compressor is not damaged. If you do not have a clear vision, they should not be used. EQ is a tool that is supposed to assist you in making better decisions based on your vision. As you go through this step, you will need to completely remove any remaining noises on your recording. The first step in any recording mixing process is to ensure that all instruments are in sync. There is no easy way to create a good tutorial for mixing guitars, especially if you don’t do it on a regular basis. Following these tips should help you get a great sound when recording acoustic guitar in Cubase 5. Bring up the level of the acoustic guitar in the mix until it sounds good to you. Experiment with different EQ settings to find the sound you’re looking for. Use a low-cut filter to reduce rumble and other low-frequency noise. If you’re using a condenser microphone, make sure to use a pop filter to reduce plosives. This will help capture the natural sound of the guitar. Place a microphone in front of the guitar and another one pointing at the 12th fret. please refer to the usage FAQs.If you’re just getting started with recording acoustic guitar in Cubase 5, here are a few tips to help you get a great sound. For more specific information on using the contents of this library in portfolios, research, publicity, competitions, teaching materials, etc. ![]() Many thanks to the artists and engineers who have kindly agreed to provide these files – please follow the links and check out their latest music!Īll downloads from this site are provided free of charge for educational purposes only, and the material contained in them should not be used for any commercial purpose without the express permission of the copyright holders.įor projects hosted on other sites, please refer to their separate conditions of use. This is a continuously expanding resource, so if you want to keep track of the latest uploads please subscribe to my monthly spam-free ‘Small-studio Secrets News’ mailing list – I usually post towards the end of the month. If you have any projects of your own that you’d be willing to post (or link to) here, then do get in touch. If you’d like to search for projects with specific instruments, track counts, download sizes, or Discussion Zone thread counts, then check out the new beta-version library search page.Īs well as the multitracks hosted directly on this site, I’ve also included links to a few other decent downloads I’ve discovered on other sites. My dedicated Suggestions For Newbies page. If you’re new to mixing, you can find some beginner-friendly projects on In both cases a preview mix is provided for easy auditioning while browsing through the list. ( Download problems?) In addition to the Full Multitrack packages, there are also many quick-download Edited Excerpt versions (usually featuring the song’s biggest chorus) which provide ‘bite-sized’ mixing assignments well-suited to classroom use. When importing the tracks, just make sure all the files start at exactly the same moment in time within your DAW’s timeline. For maximum mixdown flexibility, the contributors have made every effort to provide audio ‘raw’, in other words without additional effects or processing (beyond treatments printed during tracking/editing). All these projects are presented as ZIP archives containing uncompressed WAV files (24-bit or 16-bit resolution and 44.1kHz sample rate). To support readers of my book Mixing Secrets For The Small Studio, as well as music-technology students/educators in general, here’s a list of multitrack projects which can be freely downloaded for mixing practice purposes. ![]()
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